Pat Hanrahan
Spring Quarter, 1998
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R. Magritte, Empire of the Lights (Example pointed out by W. Cowan).
Additional references
A. Adams, The Negative. Little, Brown and Company, 1981.
A. Adams, The Print. Little, Brown and Company, 1983.
J. Tumblin, H. Rushmeier, Tone Reproduction for Realistic Computer Generated Images. Technical Report GIT-GVU-91-13, Graphics Visualization and Usability Center, Georgia Institute of Technology, 1991. (More complete version of TumblinRushmeier93).
G. Ward, A contrast-based scalefactor for luminance display, Graphics Gems IV, edited by P. S. Heckbert, Academic Press, 1991.
K. Chiu, M. Herf, P. Shirley, S. Swamy, C. Wang, K Zimmerman, Spatially Nonuniform Scaling Functions for High Contrast Images, Proceedings of Graphics Interface '93, pp. 245-253.
G. Larson, H. Rushmeier, C. Piatko, A visibility matching tone reproduction operator for high dynamic range scenes, (to appear in IEEE Transactions on Visualization and Computer Graphics).
L. Fang, Constraint-based rendering for scenes with high dynamic ranges. Masters thesis, Computer Science Department, University of Waterloo, 1993.
J. Ferwerda, S. Pattanaik, P. Shirley, and D. Greenberg.
A Model of Visual Adaptation for Realistic Image Synthesis.
In Computer Graphics, Proceedings, Annual Conference
Series, 1996, ACM SIGGRAPH, pp. 249-258.
G. Spencer, P. Shirley, D Greenberg,
Physically-based glare effects for digital images.
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Conference Series, 1995, ACM SIGGRAPH, pp. 325-334.
J. Ferwerda, S. Pattanaik, P. Shirley, and D. Greenberg.
A Model of Visual Masking for Computer Graphics.
In Computer Graphics, Proceedings, Annual Conference Series,
1997, ACM SIGGRAPH, pp. 143-152.
J. Willats. Art and Representation:
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(Chapters 4, 5 & 6, pp. 93-146)
A. Hayes, J. Ross,
Lines of Sight.
In The Artful Eye,
edited by R. L. Gregory, J. Harris, D. S. Rose,
Oxford University Press, 1995.
Marking Systems
Line Drawing Methods and Styles
C. Strothotte, T. Strothotte, Seeing
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G.Winkenbach, D. Salesin, Computer-Generated Pen-and-Ink Illustration. In Computer Graphics, Proceedings, Annual Conference Series, 1994, ACM SIGGRAPH, pp. 91-100.
D. Dooley, M. Cohen, Automatic Illustration of 3D Geometric Models: Lines. In Proceedings of 1990 Symposium on Interactive 3D Graphics, March 1990, Volume 24, Number 2, pp. 77-82.
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Additional references
G. Winkenbach, D. Salesin, Rendering Parametric Surfaces in Pen and Ink. In Computer Graphics, Proceedings, Annual Conference Series, 1996, ACM SIGGRAPH, pp. 469-476.
M. Salisbury, S. Anderson, R. Barzel, D. Salesin, Interactive Pen-and-Ink Illustration. In Computer Graphics, Proceedings, Annual Conference Series, 1994, ACM SIGGRAPH, pp. 101-108.
M. Salisbury, M. Wong, J. Hughes, D. Salesin, Orientable Textures for Image-Based Pen-and-Ink Illustration. In Computer Graphics, Proceedings, Annual Conference Series, 1997, ACM SIGGRAPH, pp. 401-406.
M. Salisbury, C. Anderson, D. Lichinski, D. Salesin, Scale-Dependent Reproduction of Pen-and-Ink Illustrations. In Computer Graphics, Proceedings, Annual Conference Series, 1996, ACM SIGGRAPH, pp. 461-468.
L. Markosian, M. Kowalski, S. Trychin, L. Bourdev, D. Goldstein, J. Hughes, Real-Time Nonphotorealistic Rendering. In Computer Graphics, Proceedings, Annual Conference Series, 1997, ACM SIGGRAPH, pp. 415-420.
G. Turk, D. Banks, Image-Guided Streamline Placement. In Computer Graphics, Proceedings, Annual Conference Series, 1996, ACM SIGGRAPH, pp. 453-460.
V. S. Ramachandran, 2-D or not 2-D - that is the question, In The Artful Eye, edited by R. L. Gregory, J. Harris, D. S. Rose, Oxford University Press, 1995.
B. Hogarth, Ch 2. Minimal Light and Ch 3 Five Categories of Light and Shade. In Dynamic Light and Shade. Watson-Guptill, 1981.
E. Imhof, Ch 10 Hachures and Other Related Techniques. In Cartographic Relief Presentation. Walter de Gruyter, 1982.
Additional References
Leonardo da Vinci, Light and Shade. In Leonardo On Painting, edited by M. Kemp, Yale University Press, 1989.
Berthold K. P. Horn, Hill shading and the reflectance map, Proc. of the IEEE Vol 69 No 1 pp. 14-47, 1981.
A. Gooch, B. Gooch, P. Shirley, E. Cohen, A Non-Photorealistic Lighting Model for Technical Illustration, (to appear SIGGRAPH '98)
F. Durbery, J. Willats, Perspective and Other Drawing Systems. Van Nostrand, 1983.
T. E. French, C. J. Vierck, Sec 6.26 Axonometric Projection from Orthographic Views, Sec 6.27 Isometric Projection from Orthographic Views, Sec 6.28 Oblique Projection from Orthographic Views, and Sec 6.29 Perspective Projection from Orthographic Views. In A Manual of Engineering Drawing for Students and Draftsman, 10th Ed. McGraw-Hill, 1966.
Additional References
R. L. Solso, Ch 8 Perspective and the History of Art, In Cognition and the Visual Arts, MIT Press, 1994.
Ingrid Carlboom and Joseph Paciorek, Planar geometric projections and viewing transformations, Computing Surveys, Vol 10, No 4, pp. 465-502, 1978.
G. K. Francis, Ch 3 Pictures in Perspective. In A Topological Picturebook. Springer-Verlag, 1987.
H. E. Sedgwick, The effects of viewpoint on the virtual space of pictures, In Pictorial Communication in Virtual and Real Environments, ed. Stephen R. Ellis, Taylor and Francis, 1993.
Leonardo da Vinci, Introduction to Perspective, Perspective Size, In Leonardo On Painting, edited by M. Kemp, Yale University Press, 1989.
Michael Kubovy, Ch 4 The robustness of perspective, In The Psychology of Perspective and Renaissance Art, Cambridge University Press, 1986.
Michael Kubovy, Ch 6 Perceiving the window in order to see the world, In The Psychology of Perspective and Renaissance Art, Cambridge University Press, 1986.
Additional References
M. H. Pirenne, Ch 7 The simple theory of linear perspective, and Ch 8 The perception of orginary pictures. In Optics, Painting and Photography. Cambridge University Press, 1970.
Sheena Rogers, Perceiving Pictorial Space, In Perception of Space and Motion, edited by William Epstein and Sheena Rogers, Academic Press, 1995.
Michael Kubovy, Ch 7 The bounds of perspective: marginal distortions, In The Psychology of Perspective and Renaissance Art, Cambridge University Press, 1986.
F. Durbery, J. Willats, Ch 7 Long spectator distance and shallow field of focus, In Perspective and Other Drawing Systems. Van Nostrand, 1983.
