Final Project Proposal: Alex Li, Julie Tung

Project Goals

Our goal is to realistically render two stuffed animals, a penguin and a miniature polar bear. Ideally, we want to place these two animals in an interesting environment; for instance, the Arctic (since they're both rather cold-loving animals), where they could be sitting on a bed of snow and ice. As pictured below, the exterior of the penguin is polyester cloth, while the polar bear’s is of short fur. We have also included an image of roughly the kind of snowy image that we have in mind for their surroundings.

Photo Credit:

Techniques and Challenges


The polar bear’s fur will be modeled as geometry, with each hair primitive modeled as a three-dimensional Catmull-Rom spline. We will use a cylinder-based shading model in order to produce realistic shading in the fur. We would also like to create an accurate self-shadowing effect among the hairs in the fur, for which one possible technique is deep shadow maps. Achieving a realistic look and accurate interaction between the fur and light is the main challenge with fur--especially achieving this within a reasonable rendering time.

Additional Sources:

Rendering Hair:

James T. Kajiya, Timothy L. Kay. Rendering Fur with Three Dimensional Textures. In SIGGRAPH 89

Tom Lokovic, Eric Veach. Deep Shadow Maps. In SIGGRAPH 00, July 2000.

Subsurface Scattering

We will use subsurface scattering techniques in order to make the snow look realistically translucent. Quite a bit of work has already been done in this area, both in a previous CS348B project and in subsurface scattering work in general, as snow is a relatively popular medium for the technique. We will most likely be using the algorithms for BSSRDFs from this paper: We want to be able to accurately render the optical properties of snow as well as a natural appearance for the location of the fallen snow, how it packs together, drifts, etc.

Additional Sources:

A Modeling and Rendering Method for Snow by Using Metaballs

Computer modelling of fallen snow, Fearing, SIGGRAPH 2000

Optical Properties of Snow:

Microgeometry of Cloth

If we have time, we would also like to accurately model the exterior of the penguin. Instead of using textures, we could model the microgeometry of the weaving of the fibers making up the penguin’s cloth, which manifest as a repeating pattern of warp (vertical) and weft (horizontal) interlacings.

Additional Sources:

An Approach to Cloth Synthesis and Visualization:

Visualization of Woven Cloth:

Basic Approach

Since we have several different advanced features that we would like to tackle in this project, our approach will be to prioritize and finish the two major ones (realistic fur and snow) before moving on to the others, such as the microgeometry of the cloth and adding more realism to the environment. For the lighting in our scene, we will most likely be using an environment map acting as an infinite area light, unless we have time to do something more elaborate.

We will be creating models of the penguin and the bear in a modeling package (likely 3D Studio Max), although initially, we may begin work on fur rendering by just rendering on some geometric primitives.

JulieTung/FinalProject (last edited 2006-05-20 05:28:42 by JulieTung)